E-GALLERY: Paintings and other Visual Art Media



Islamic History Month Canada is inviting visual artists to send us creative work related to IHMC to be shown free in exhibitions for one year -- from October 1, 2007 through September 30, 2008 -- on our E-Gallery.

Please make sure your submissions reach us before October 1, along with a brief (300 words) autobiography/artist's statement and contact information. Please state clearly the personal information about yourself that you wish to be made public (such as web site, email address, phone number, etc.).

The maximum number of submissions per person is five (5). Copyrights remain the sole property of the creator of each submission; they are not transferred to IHMC. Here is the format to follow:

Accepted Paintings and other Visual Art Media: Photographic images of original paintings and artwork should be submitted in high-resolution JPG (Joint Photographic Experts Group) format.



Gloria Kagawa

Canadian printmaker Gloria Kagawa works from her studio in Baden, Ontario, near Kitchener-Waterloo. An accomplished printmaker, she has exhibited widely internationally, with shows in Canada, Germany and Japan. Her work is found in many private and public collections.

Kagawa's style draws on complex patterns of iconography, but influences of the Islamic world and its architecture often appear in her work. That effect is subtle in works like Oasis or Emerald Garden, with their suggestions of Middle Eastern screens and enclosed gardens, combined with flora from the area around Kagawa?s home in southwestern Ontario. It is foregrounded in the Aqaba Series, with its images of Islamic architecture. In the Cairo Series, colours of the desert and Euclidean shapes combine in accomplished prints.

More of Kagawa's work can be viewed on her website: www.gloriakagawa.com

 

Turkish Garden                   by Gloria Kagawa

 
 

Urban Series - Emerald Garden  by Gloria Kagawa

 
 

Urban-Series - Oasis                   by Gloria Kagawa

 
 

Aqaba                   by Gloria Kagawa

 
 

Aqaba Series - Night Watch  by Gloria Kagawa

 
 

Cairo Series - Kings and Things  by Gloria Kagawa

 
 

Mythical Series - Another Good Age  by Kagawa

 
 

Mythical Series - Journeys End  by Gloria Kagawa

 
 

  ** More artwork by Gloria Kagawa is shown as part of Judith Miller's poem listing

 


Ibrahim Shalaby

If it is true that "you can take the man out of the village but you cannot take the village out of the man," it must also be true that you can take Dr. Ibrahim Shalabi out of Jerusalem but you cannot take Jerusalem out of Dr. Ibrahim Shalabi’s heart and soul. The two are destined to complement each other.

When he was asked to describe his relationship with Jerusalem, Dr. Shalabi said: "I don’t dwell in Jerusalem, but Jerusalem dwells in me." He went on to address the Holy City by saying: "Although I am living far away from you, you never left my memory. I have always adored your captivating vision and fallen in love with your eternal beauty. How often I was carried away on the wings of longing to your gates, your old lanes, yearning for a chat with members of the extended family, for a short stay with old friends to reminisce about the ‘good old days,’ and to submerge myself in the depths of your enchanting history, so that I may quench my perennial thirst for the flower of all cities, for the beloved ones who dwell on her mesmerizing terrain. You live in my soul and in my whole being, day and night, in my sleep and in my awaking. I walk through your narrow streets, flirt with your balconies, anchor on your windows, exhilarated by the call to prayer emanating from the minarets of your mosques and the bells of your churches."

Dr. Shalabi’s paintings are a living testament to his enduring love for the generous land of Palestine, its tenacious people, its deep sorrows, its luminous hopes and shining dreams.

It was not for nothing that the renowned Syrian artist Sherif Moharram described Dr. Shalabi’s artistic work as "a dancing river poem," celebrating as it does the joys and tribulations of Palestinian life, transcending the experience of its own creator, and speaking for the millions of displaced people all over the world who have lived suspended between their old and new worlds.

 

                                    by Ibrahim Shalaby

 
 

                                    by Ibrahim Shalaby

 
 

                                                      by Ibrahim Shalaby

 
 

                                                      by Ibrahim Shalaby

 
 

                                                      by Ibrahim Shalaby

 
 

                                                      by Ibrahim Shalaby

 
 

                                                                                                                                                     by Ibrahim Shalaby

 
 



Please send your literary and artwork submissions before October 1, 2007 to: gallery@islamichistorymonth.com

IHMC exhibit adjudicators reserve the right to decline any submissions that do not meet sufficient aesthetic and/or technical standards for online display.